PowerPoint: The Renaissance

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Sonata Introduction Arcangelo Corelli Sonata (from Latin and Italian:  sonare , “to sound”), in music, literally means a piece  played  as opposed to a cantata (Latin and Italian  cantare , “to sing”), a piece  sung . The term, being vague, evolved through the history of music, designating a variety of forms until the classical era, when it took on increasing importance, and by the early 19th century came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the classical era, most 20th- and 21st-century sonatas still maintain the same structure. In the works of Arcangelo Corelli and his contemporaries, two broad classes of sonata were established, and were first described by Sébastien de Brossard in his  Dictionaire de m...
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Medieval Composers Guido of Arezzo Statue of Guido of Arezzo (AKA Guido Monaco), 1882 Guido of Arezzo (also Guido Aretinus, Guido da Arezzo, Guido Monaco, or Guido d’Arezzo, or Guy of Arezzo) (991/992–after 1033) was a music theorist of the medieval era. He is regarded as the inventor of modern musical notation(staff notation) that replaced neumatic notation; his text, the  Micrologus , was the second-most widely distributed treatise on music in the Middle Ages (after the writings of Boethius). Guido was a monk of the Benedictine order from the Italian city-state of Arezzo. Recent research has dated his  Micrologus to 1025 or 1026; since Guido stated in a letter that he was thirty-four when he wrote it, his birthdate is presumed to be around 991 or 992. His early career was spent at the monastery of Pomposa, on the Adriatic coast near Ferrara. While there, he noted the difficulty that singers had in remembering Gregorian chants. He came up with a method ...
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