PowerPoint: The Renaissance

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Overview of Medieval Music Instruments Gemshorn Alt Instruments used to perform medieval music still exist, but in different forms. The flute was once made of wood rather than silver or other metal, and could be made as a side-blown or end-blown instrument. The recorder has more or less retained its past form. The gemshorn is similar to the recorder in having finger holes on its front, though it is actually a member of the ocarina family. One of the flute’s predecessors, the pan flute, was popular in medieval times, and is possibly of Hellenic origin. This instrument’s pipes were made of wood, and were graduated in length to produce different pitches. Medieval music uses many plucked string instruments like the lute, mandore, gittern and psaltery. The dulcimers, similar in structure to the psaltery and zither, were originally plucked, but became struck in the fourteenth century after the arrival of the new technology that made metal strings possible. Gittern ...
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The Classical Concerto Introduction A concerto (from the Italian:  concerto , plural  concerti  or, often, the anglicized form  concertos ) is a musical composition usually composed in three parts or movements, in which (usually) one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band. The etymology is uncertain, but the word seems to have originated from the conjunction of the two Latin words  conserere  (meaning to tie, to join, to weave) and  certamen  (competition, fight): the idea is that the two parts in a concerto, the soloist and the orchestra or concert band, alternate episodes of opposition, cooperation, and independence in the creation of the music flow. The concerto, as understood in this modern way, arose in the baroque period side by side with the concerto grosso, which contrasted a small group of instruments with the rest of the orchestra. The popularity of the ...
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Sonata Introduction Arcangelo Corelli Sonata (from Latin and Italian:  sonare , “to sound”), in music, literally means a piece  played  as opposed to a cantata (Latin and Italian  cantare , “to sing”), a piece  sung . The term, being vague, evolved through the history of music, designating a variety of forms until the classical era, when it took on increasing importance, and by the early 19th century came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the classical era, most 20th- and 21st-century sonatas still maintain the same structure. In the works of Arcangelo Corelli and his contemporaries, two broad classes of sonata were established, and were first described by Sébastien de Brossard in his  Dictionaire de m...
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